Music, Dance, and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard

Contents

• Contents
• Ingrid Karsten Brainard: A Tribute
• Introduction by Ann Buckley and Cynthia J. Cyrus
• The Creation of the Repertory
• The Codex Calixtinus and the French Connection: The Office for St. James in Northern France by Vincent Corrigan
• The Roman Processional Antiphon Repertory by Clyde Brockett
• The Celebration of Candlemas in Medieval Rome by Joseph Dyer
• "Laureata plebs fidelis": A Victorine Sequence from the Feast of Corpus Christi in Thirteenth-Century Liege by Barbara R. Walters
• A Newly Recognized Polyphonic Christmas Gospel, Liber generationis: And Another Look at the Polyphony in the Manuscript Assisi, Biblioteca del Sacro Convento, MS 695 by Julia W. Shinnick
• Prope est ruina: The Transformation of a Medieval Tenor by Alice V. Clark Ideological Clashes in a Cinquecento Edition of Plainchant by Richard J. Agee
• Interpreting the Repertory
• Music on the Run in the Italian Novelle: Plagues, Devotional Movements, and Intimate Gatherings Away from Home by Cathy Ann Elias
• Dancing in the Street: Fourteenth-Century Representations of Music and Justice by Eleonora M. Beck
• Apres vos fais: Machaut Reception as Seen through the Chantilly Codex (F-CH 564) by Elizabeth Randell Upton
• Reading (into?) Renaissance Dance: Misura in the Service of Dramaturgy by Nona Monahin
• Dance and Identity in Fifteenth-Century Europe by Jennifer Nevile
• Reevaluating the Repertory
• Acoustics, Liturgy, and Architecture in Medieval English Cathedrals by William Peter Mahrt
• "Haec est nimis": A Trope-Transcription Puzzle by Greta-Mary Hair
• Compositional Method and Inspirational Guesswork: Reconstructing the Latin Motets of Martin Peerson (ca. 1572-1651) by Richard Rastall
• Dance and Historiography: Le Balet Comique de la Roynex, an Italian Perspective by Barbara Sparti
• Mutanze, Divisions, and Diferencias: Variation Form in Late Renaissance Dance by G. Yvonne Kendall
• Notes on Contributors
• Index