The Sociological Review Monographs 63/1: Gender and Creative Labour

Contents

• Series editor s acknowledgements
• Acknowledgements
• Part 1: Introduction
• Gender and creative labour
• Bridget Conor, Rosalind Gill and Stephanie Taylor
• Part 2: Sexism, segregation and gender roles
• Sex, gender and work segregation in the cultural industries
• David Hesmondhalgh and Sarah Baker
• Unmanageable inequalities: sexism in the film industry
• Deborah Jones and Judith K. Pringle
• Part 3: Flexibility and informality
• Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries
• Leung Wing-Fai, Rosalind Gill and Keith Randle
• Labile labour gender, flexibility and creative work
• George Morgan and Pariece Nelligan
• Birds of a feather: informal recruitment practices and gendered outcomes for screenwriting work in the UK film industry
• Natalie Wreyford
• Part 4: Image-making and representation
• Blowing your own trumpet: exploring the gendered dynamics of self-promotion in the classical music profession
• Christina Scharff
• Egotist , masochist , supplicant : Charlie and Donald Kaufman and the gendered screenwriter as creative worker
• Bridget Conor
• Genre anxiety: women travel writers experience of work
• Ana Alacovska
• The heroic body: toughness, femininity and the stunt double
• Miranda J. Banks and Lauren Steimer
• Part 5: Boundary-crossing
• When Adam blogs: cultural work and the gender division of labour in Utopia
• Ursula Huws
• A new mystique?Working for yourself in the neoliberal economy
• Stephanie Taylor
• Hungry for the job: gender, unpaid internships, and the creative industries
• Leslie Regan Shade and Jenna Jacobson
• Notes on contributors
• Index