Book
$56.25Printed on demand
Contents
- Introduction
- Amy Bauer and Marton Kerekfy
- Part I, Creative Personality and Aesthetics
- 1 Music in the Technological Era
- Gyoergy Ligeti with Hans Heinz Stuckenschmidt, translated and annotated by Louise Duchesneau
- 2 '...music is a bit like love - you do it but you don't talk about it'
- Louise Duchesneau
- 3 The Innate Melodist
- Richard Steinitz
- 4 Ligeti's Musical Style as Expression of Cultural Trauma
- Wolfgang Marx
- 5 Making It Home? The Natural Sciences as a Site of Belonging in Gyoergy Ligeti's Music
- Frederik Knop
- Part II, Influences and Backgrounds
- 6 Reflections on Ligeti's Jewish Identity Following the Discovery of New Documents from his Cluj Years
- Heidy Zimmermann
- 7 Ligeti and Romanian Folk Music: An Insight from the Paul Sacher Foundation
- Bianca Tiplea Temes
- 8 Ligeti and the Beginnings of Bartok Analysis in Hungary
- Anna Dalos
- 9 Bartok, Ligeti and the Innovative Middle Road
- Peter Edwards
- 10 From Row to Klang: Ligeti's Reception of Anton Webern's Music
- Ingrid Pustijanac
- Part III, Works
- 11 Genre as Emigre: The Return of the Repressed in Ligeti's Second Quartet
- Amy Bauer
- 12 Sketches Reflecting the Images of San Francisco
- Kyoko Okumura
- 13 Ironic Self-Portraits? Ligeti's Hungarian Rock and Passacaglia ungherese
- Marton Kerekfy
- 14 Tragedy and Irony: The Passacaglia of the Violin Concerto
- Volker Helbing