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Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage

  • Author: Thomas, Susan
Thomas provides both an informative treatment of this allegoric play and a well-written sociocultural discourse on the relationship between gender, race, music and dance in 19th-century Havana.... More…

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$54.75

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Contents

  • Acknowledgments vii
  • Introduction 1
  • 1. Cuban Lyric Theater in Context 11
  • 2. Eminently Feminine: The Politics of Gender and Genre 26
  • 3. The Mulata Makes an Entrance: The Salidas of Maria Ia O, Cecilia Valdes, and Amalia Barista 40
  • 4. From the Negrito to the Negro Tragico: The Changing Representation of Black Masculinity 81
  • 5. Ingenues and Fallen Women: Representations of White Femininity 109
  • 6. Ambivalent Heroes and Sensual Peasants: The Galan and the Criollo 154
  • Epilogue 177
  • Appendix 183
  • Notes 191
  • Bibliography 221
  • Index 237