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The Economics of Music

  • Editor: Cameron, Samuel

Book

$420.50

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Contents

  • Contents:
  • Acknowledgements
  • Introduction Samuel Cameron
  • PART I HIT MUSIC 1. Storm Gloor (2011), 'Just How Long Is Your "Fifteen Minutes"? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 2. David E. Giles (2007)
  • PART II LIVE MUSIC 7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 8. Peter E. Earl (2001), 'Simon'
  • Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 11. Grant
  • PART III DEMAND FOR MUSIC 12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 13. Wilfred Dolfsma (1999), 'The Consumption of
  • PART IV PRODUCTION OF MUSIC 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music
  • PART V PRICE OF MUSIC RELATED GOODS 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 23. Patrick Georges and Aylin Seckin (2013), 'Black Notes and White Noise:
  • PART VI LABOUR MARKETS AND OWNERSHIP 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of "Blind" Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 28. Sam Cameron (2003), 'The Politica
  • PART VII COMPETITIONS 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 36. Victor A. Ginsburgh a
  • Index