The Oxford Handbook of Sound and Imagination, Volume 2

Contents

• Contributor Affiliations
• Acknowledgments
• Introduction
• MARK GRIMSHAW-AAGAARD
• MADS WALTHER-HANSEN
• MARTIN KNAKKERGAARD
• PART I. MUSICAL PERFORMANCE
• Chapter 1. Improvisation: An Ideal Display of Embodied Imagination
• JUSTIN CHRISTENSEN
• Chapter 2. Anticipated Sonic Actions and Sounds in Performance
• CLEMENS WOLLNER
• Chapter 3. Motor Imagery in Perception and Performance of Sound and Music
• JAN SCHACHER
• Chapter 4. Music and Emergence
• JOHN M. CARVALHO
• Chapter 5. Affordances in Real, Virtual, and Imaginary Musical Performance
• MARC DUBY
• PART II. SYSTEMS AND TECHNOLOGIES
• Chapter 6. Systemic Abstractions: The Imaginary Regime
• MARTIN KNAKKERGAARD
• Chapter 7. From Rays to Ra: Music, Physics, and the Mind
• JANNA K. SASLAW AND JAMES P. WALSH
• Chapter 8. Music Analysis and Data Compression
• DAVID MEREDITH
• Chapter 9. Bioacoustics: Imaging and Imagining the Animal World
• MICKEY VALLEE
• Chapter 10. Musical Notation as the Externalization of Imagined, Complex Sound
• HENRIK SINDING-LARSEN
• Chapter 11. . . . they call us by our name . . .: Technology, Memory, and Metempsychosis
• BENNETT HOGG
• Chapter 12. Musical Shape Cognition
• ROLF INGE GODOY
• Chapter 13. Playing the Inner Ear: Performing the Imagination
• SIMON EMMERSON
• PART III. PSYCHOLOGY
• Chapter 14. Music in Detention and Interrogation: The Musical Ecology of Fear
• W. LUKE WINDSOR
• Chapter 15. Augmented Unreality: Synesthetic Artworks and Audio-Visual Hallucinations
• JONATHAN WEINEL
• Chapter 16. Consumer Sound
• SOREN BECH AND JON FRANCOMBE
• Chapter 17. Creating a Brand Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding
• HAUKE EGERMANN
• Chapter 18. Sound and Emotion
• ERKIN ASUTAY AND DANIEL VASTFJALL
• Chapter 19. Voluntary Auditory Imagery and Music Pedagogy
• ANDREA R. HALPERN AND KATIE OVERY
• Chapter 20. A Different Way of Imagining Sound: Probing the Inner Auditory Worlds of Some Children on the Autism Spectrum
• ADAM OCKELFORD
• Chapter 21. Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM)
• LARS OLE BONDE
• Chapter 22. Empirical Musical Imagery Beyond the 'Mind's Ear'
• FREYA BAILES
• PART IV. AESTHETICS
• Chapter 23. Imaginative Listening to Music
• THEODORE GRACYK
• Chapter 24. A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics
• BRYAN PARKHURST
• Chapter 25. Sound as Environmental Presence: Towards an Aesthetics of Sonic Atmospheres
• ULRIK SCHMIDT
• Chapter 26. The Aesthetics of Improvisation
• ANDY HAMILTON
• PART V. POSTHUMANISM
• Chapter 27. Sonic Materialism: Hearing the Arche-Sonic
• SALOME VOEGELIN
• Chapter 28. Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies
• DANIEL PLOEGER
• Chapter 29. Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation
• ANNE DANIELSEN
• Chapter 30. On the Other Side of Time: Afrofuturism and the Sounds of the Future
• ERIK STEINSKOG
• Chapter 31. Posthumanist Voices in Literature and Opera
• JASON R. D'AOUST
• Index