Mad Dogs and Englishness: Popular Music and English Identities

Contents

• Foreword Rupa Huq (Kingston University, UK)
• Acknowledgements
• Introduction Englishness, whose Englishness? Lee Brooks and Mark Donnelly (St Mary's University, Twickenham, London, UK) Part One: English Heritage
• 1. 'Rosy, Won't You Please Come Home': Family, Home, and Cultural Identity in the Music of Ray Davies and the Kinks. Carey Fleiner (University of Winchester, UK)
• 2. 'Rule Britannia is out of bounds': David Bowie and English Heritage. David Bowie Is ... (2013) The Next Day (2013) and Blackstar (2016) Richard Mills (St Mary's University, Twickenham, London, UK)
• 3. Mod Cons: Back to the Future with The Jam (1977-79) Ben Winsworth (University of Orleans, France)
• 4. PJ Harvey and Remembering England Abigail Gardner (University of Gloucestershire, UK) Part Two: Spaces of Identity
• 5. An adventure in English Space and Time: Sound as Experience in Doctor Who (An Unearthly Child) Dene October (University of Arts, London, UK)
• 6. Productive boredom and unproductive labour: Cabaret Voltaire in the People's Republic of South Yorkshire Jon Hackett (St Mary's University, Twickenham, London, UK)
• 7. Flag of Convenience? The Union Jack as a contested symbol of Englishness in popular music or a convenient marketing device? Johnny Hopkins (Brighton Institute of Modern Music, UK) Part Three: Performing Discrepancy
• 8. The Poison in the Human Machine Raphael Costambeys-Kempczynski (Universite Sorbonne Nouvelle, Paris)
• 9. 'Brand New You're Retro': Tricky as Engpop Dissident Christian Lloyd and Shara Rambarran (Brighton Institute of Modern Music, UK)
• 10. The (un)masked bard: Burial's denied profile and the memory of English underground music Gabriele Marino (University of Turin, Italy)
• 11. Albion Voice: The Englishness of Bishi Simon Keegan-Phipps and Trish Winter (University of Sheffield, UK and University of Sunderland, UK)
• Index