Schubert's Late Music

Contents

• Introduction Schubert's late style and current musical scholarship Lorraine Byrne Bodley;
• Part I . Reception Histories:
• 1. 'Classical' music and Viennese resistance to Schubert's Beethoven project John M. Gingerich;
• 2. Beethoven, Schubert, and the movement of phenomena Scott Burnham;
• 3. [Un]Himmlische Lange: editorial intervention as reception history Anne M. Hyland;
• 4. Citation, narrative and meaning: Woody Allen and the late Schubert Harry White;
• Part II . The Late Instrumental Music (1): Hermeneutics and Performance:
• 5. Schubert's alchemy: transformative surfaces, transfiguring depths Robert S. Hatten;
• 6. Against the grain: Op. 78 and a hermeneutics of late style Richard Kramer;
• 7. Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in B flat, D. 960 Eric Wen;
• 8. Schubert's reconciliation of gothic and classical influences Marjorie Hirsch;
• 9. The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis Julian Horton;
• Part III . The Late Instrumental Music (2): Meaning and Genre:
• 10. Schubert hearing Don Giovanni: Mozartian death music in the 'Unfinished' Symphony Glenn Stanley;
• 11. Longing for the unattainable: the second movement of the 'Great' C major Symphony Lauri Suurpaa;
• 12. Tonal recollection in Schubert's late instrumental music Ryan McClelland;
• 13. Detours, wrong tracks, and dead ends: the 'wanderer' in the labyrinth of Schubert's late instrumental music Xavier Hascher;
• 14. Formal ambiguity and generic reinterpretation in the late instrumental music Su-Yin Mak;
• Part IV . Defining Late Style:
• 15. The 'problem of solitude' and critique in song: Schubert's loneliness Susan Youens;
• 16. Music of the orphaned self? Schubert and concepts of late style Lorraine Byrne Bodley;
• 17. Bounded finitude and boundless infinitude: Schubert's contradictions at the 'final barrier' Blake Howe;
• 18. Invocations of memory in Schubert's last songs Jurgen Thym;
• 19. 'The prerogative of late style': thoughts on the expressive world of Schubert's late works Benjamin M. Korstvedt;
• 20. Singing against late style: the problem of performance history Laura Tunbridge.