- Introduction: Audiovisual(ity/ology)
- Chapter 1: The Spirit inside Each Object: Oskar Fischinger, Sound Phonography, and the Inner Eye
- Chapter 2: Dreams that Money Can Buy: Trance, Myth, and Expression, 1941-1948.
- Chapter 3: Losing the Ground: Chance, Transparency and Cinematic Space, 1948-1958
- Chapter 4: Cinema Delimina: Post-Cagean Aesthetics, Medium-Specificity, and Expanded Cinema
- Conclusion: Through the Looking Glass: Poetics and Chance in John Cage's One