Made in Latin America: Studies in Popular Music

Contents

• Series Foreword. Preface.
• Introduction Debating Genre, Class and Identity: Popular Music and Music Scenes from the Latin American World Julio Mendivil and Christian Spencer Espinosa
• PART I : MUSIC SCENES AND HISTORICAL ISSUES
• 1. The Carpas Shows in Mexico City (1900-1930): An Ethno-Historical Perspective to a Musical Scene Natalia Bieletto Bueno
• 2. Nineteenth Century Spanish American Salon in the Light Of Music Scenes Juan Francisco Sans
• PART II : IMAGINARIES, IDENTITY, AND POLITICS
• 3. Representing Ayacucho: Music, Politics, Commerce and Identity in an Andean Music Scene in Lima Julio Mendivil
• 4. Imagining Traditions: Performance and Social Imagination in the Urban Cueca Scene in Santiago de Chile (2000-2010) Christian Spencer Espinosa
• PART III : CUMBIA, CLASS AND NATION
• 5. "Cumbia, Nena." Cumbia Scene, Gender and Class in Argentina Pablo Alabarces and Malvina Silba
• 6. The Ecuadorian Popular Music Scene in Quito: Contesting the National Imaginary Ketty Wong
• 7. Chicha Music, Urban Subalternity and Cultural Identities in Peru: Construction of the Local and Translocal Scene Arturo Quispe Lazaro
• PART IV : GLOBAL FLOWS
• 8. Merengue on the Move: Making Music, Place, and Community in the Tipico World Sydney Hutchinson
• 9. The Geopolitics of Queer Tango: From Buenos Aires to a Community of Translocal Practice Maria Mercedes Liska
• 10. Otavalan Transnational Music Making: The Andean Music Scene in Japan Michelle Wibbelsman
• PART V : BEYOND MUSIC SCENES
• 11. Voice in Fernando Ortiz: Tools for Rethinking the Notion of Scene Ana M. Ochoa Gautier 12 Epilogue: Reconsidering Music Scenes from a Latin American Perspective Julio Mendivil and Christian Spencer Espinosa AFTERWORD
• 13. "We live in mixture, and are constantly mixing together our musical expressions." A conversation with Susana Baca, Peruvian singer and former Minister of Culture Julio Mendivil and Christian Spencer Espinosa . List of
• Contributors