Popular Music and the Moving Image in Eastern Europe

Contents

• Table of Contents Introductions: Popular Music and the Moving Image in Eastern Europe Ewa Mazierska (University of Central Lancashire, UK) and Zsolt Gyori (University of Debrecen, Hungary)
• Chapter 1 1968 Leftist Utopianism in The Young Girls of Rochefort and Hot Summer Evan Torner (University of Cincinnati, USA)
• Chapter 2 Representing Modern Romania in the Musical of State Socialist Period Gabriela Filippi (I.L. Caragiale National University of Theatre and Film, Romania)
• Chapter 3 Worlds That Never Were: Contemporary Eastern European Musical Comedies and the Memory of Socialism Balazs Varga (Eoetvoes Lorand University, Hungary)
• Chapter 4 Pop Music, Nostalgia and Melancholia in Dollybirds and Liza, the Fox Fairy Hajnal Kiraly (Insitute for Hungarian Literary and Cultural Studies, Eoetvoes Lorand University, Hungary)
• Chapter 5 When the Golden Kids Met the Bright Young Men and Women: Rebellion, Innovation and Cultural Tradition in the Czech 1960s Music Film Jonathan Owen (Courtauld Institute of Art, UK)
• Chapter 6 'Music Isn't Music, Words Aren't Words': Underground Music in the Hungarian Cinema of the New Sensibility Zsolt Gyori
• Chapter 7 Socialist Night Fever: Yugoslav Disco on Film and Television Marko Zubak (Croatian Institute of History, Croatia)
• Chapter 8 Disco Polo and Techno according to Maria Zmarz-Koczanowicz Ewa Mazierska
• Chapter 9 Musical Variations in Karpo Godina's Alternative Cinema Andrej Sprah (Slovenian Cinematheque, Slovenia)
• Chapter 10 Polish Music Videos: Between Parochialism and Universalism Ewa Mazierska
• Chapter 11 'She Stole It from Beyonce!' - Transnational Borrowing in Bulgarian Pop-Folk Music Videos and Audience Reaction to the Practice Maya Nedyalkova (Oxford Brookes University, UK)
• Chapter 12 Postsocialist Social Reality in Hungarian Rap Music Videos Anna Batori (Babes-Bolyai University, Cluj-Napoca, Romania) List of
• Contributors
• Index