Book
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Contents
- Introduction
- PART ONE: RECONSIDERING THE COLONIAL ARCHIVE
- Chapter One: The mobilization of Shona musical identity during colonial times
- Chapter Two: Reconsidering the colonial creation of Shona musical identity in the sound archive
- Chapter Three: An attempt to link colonial and postcolonial narratives in the sound archive: Traceys "Shona chord cadence" and Afropolitanism beyond colonial borders
- Chapter Four: Colonial and postcolonial interpretations of the Shona-mbira recordings from the International Library of African Music (ILAM)
- PART TWO: RECONSIDERING THE POST-COLONIAL ARCHIVE
- Chapter Five: The centralisation of Great Zimbabwe and the multiple versions of chaminuka in the sound archive
- Chapter Six: Chimurenga music and the sound archive: The homogenisation of Shona mbiras
- Chapter Seven: The third chimurenga for the land reform as another reflection of southern African Afro-politanism versus customary laws
- PART THREE: THE REVITALISATION OF THE SOUND ARCHIVE IN ZIMBABWE
- Chapter Eight: Revitalising the repertoire through Zimbabwean musician
- Chapter Nine: The sound repatriation in the place of the recordings
- Chapter Ten: Curricula transformation in the African academy through the sound archive
- References
- Discography
- Filmography
- Interviews
- Index