The Production and Consumption of Music in the Digital Age

Contents

• Part I: Introduction
• 1. Introduction: The Evolving Economic Geography of Music
• [Brian J. Hracs, Michael Seman, and Tarek E. Virani]
• Part II: Recording
• 2. Laptops, Pro Tools, and File Transfer Protocols: On the Intensification and Extensification of Recording Work in the Digital Age
• [Allan Watson]
• 3. Disturbing Production: The Effects of Digital Music Production on Music Studios
• [David Arditi]
• Part III: Working
• 4. Working Harder and Working Smarter: The Survival Strategies of Contemporary Independent Musicians
• [Brian J. Hracs]
• 5. From Artist to Entrepreneur: The Working Lives of London-Based Rappers
• [Laura Speers]
• 6. Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists in the Dutch Music Industry
• [Joni R. Haijen]
• 7. "Working at the Candy Factory": The Limits of Nonmonetary Rewards in Record Industry Careers
• [Alexandre Frenette]
• Part IV: Playing
• 8. The Resilience of a Local Music Scene in Dalston, London
• [Tarek E. Virani]
• 9. Landscapes of Performance and Technological Change: Music Venues in Pittsburgh, Pennsylvania and Nashville, Tennessee
• [Ola Johansson, Margaret M. Gripshover, and Thomas L. Bell]
• 10. What's the "Newport Effect"?: Music Festivals, Touring, and Reputations in the Digital Age
• [Jonathan R. Wynn and Rodrigo Dominguez-Villegas]
• 11. Musicians and Temporary Spaces: The Case of Music Festivals in Sweden
• [Johan Jansson and Jimi Nilsson]
• Part V: Distributing
• 12. Exploring the "360 Degree" Blur: Digitization, Sonic Capital, and the Strategic Orientations of Electronic Indie Labels
• [Hans-Joachim Burkner]
• 13. More Than Just Bytes?: Responses to Digitization in the Paris Cluster of World Music Production
• [Amanda Brandellero and Robert C. Kloosterman]
• 14. Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case Study of Highland Park, Los Angeles
• [Tyler Sonnichsen]
• 15. Music Rights: Towards a Material Geography of Musical Practices in the "Digital Age"
• [Andy C. Pratt]
• Part VI: Promoting and Consuming
• 16. Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music Scene
• [Arturo Arriagada]
• 17. The Evolution of Music Tastemakers in the Digital Age: The Rise of Algorithms and the Response of Journalists
• [Bastian Lange]
• 18. Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the Musical Economy
• [Andrew Leyshon, Nigel Thrift, Louise Crewe, Shaun French, and Pete Webb]