Changing Tunes: The Use of Pre-existing Music in Film

Contents

• Contents: Introduction. Part I Pre-existing Classical Film Scores: Ears wide open: Kubrick's music, Claudia Gorbman
• Classical music, ambiguity and film, Mike Cormack
• The Godfather Part III: film, opera and the generation of meaning, Lars Franke
• High and low culture: Bizet's Carmen and the cinema, Ann Davies
• Reconsidering Amadeus: Mozart as film music, Jeongwon Joe
• The troll amongst us, Kristi A. Brown. Part II Popular Music and Film: Queer pleasures: the bolero, camp and AlmodA(3)var, Vanessa Knights
• Music, electricity, and the 'sweet mystery of life' in Young Frankenstein, Raymond Knapp
• Popular song as leitmotiv in Pulp Fiction and Trainspotting, Ronald Rodman
• The fabulous destiny of the accordion in French cinema, Phil Powrie
• Vinyl communion: the record as ritual object in girls' rites-of-passage films, Robynn Stilwell
• Narrating sound: the pop video in the age of the sampler, Timothy Warner. Filmography
• Bibliography
• Index.