Music as Multimodal Discourse: Semiotics, Power and Protest

Contents

• List of Figures List of Tables List of Contributors Preface Acknowledgements
• 1. Understanding Music as Multimodal Discourse, Simon McKerrell (Newcastle University, UK) and Lyndon C. S. Way (Izmir University of Economics, Turkey)
• 2. The Role of Music in Ridiculing the Working Classes in Reality Television, Goeran Eriksson and David Machin (OErebro University, Sweden)
• 3. 'Shame Makes the World Go Around': Performed and Embodied (Gendered) Class Disgust in Morrissey's 'Slum Mums', Aileen Dillane, Martin J. Power and Eoin Devereux (University of Limerick, Ireland)
• 4. Recontextualization and Fascist Music, John E. Richardson (Loughborough University, UK)
• 5. Authenticity and Subversion: Protest Music Videos' Struggle with countercultural Politics and Authenticity, Lyndon C. S. Way (Izmir University of Economics, Turkey)
• 6. Sonic Logos, Theo van Leeuwen (University of Technology Sydney, Australia)
• 7. 'If You Have Nothing To Say - Sing It!': On the Interplay of Music, Voice and Lyrics in the Advertising Jingle, Johnny Wingstedt (Dalarna University, Sweden)
• 8. When the Fairy Tale Is Over: An Analysis of Songs and Institutional Discourse against Domestic Violence in Spain, Laura Filardo-Llamas (University of Valladolid, Spain)
• 9. Indigenous Hip Hop as Anti-colonial Discourse in Guatemala, Rusty Barrett (University of Kentucky, USA)
• 10. Song, Sonic Metaphor, and Countercultural Discourse in British Folk-rock Recordings, Matthew Ord (Newcastle University, UK) Index