Book
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Contents
- Foreword
- Randy Martin
- Preface
- Mark Franko
- Introduction
- Gay Morris, Re-conceptualizing Time, Historical Time, and the Time of Interpretation
- Andre Lepecki, Theory's moves
- Chapters
- 1. Writing for the Body: Notation, Reconstruction, and Reinvention in Dance
- 2. History/Theory -- Criticism/Practice
- 3. From Croce's Critical Condition to the Choreographic Public Sphere
- 4. Splintered Encounters: The Critical Reception of William Forsythe in the United States, 1979-1989
- 5. Archeological Choreographic Practices: Foucault and Forsythe
- 6. Figurae: Re-translating the Encounter between Peter Welz, William Forsythe and Francis Bacon
- 7. Dance and Figurability
- 8. Can We Inhabit a Dance? Reflections on Dancing the "Bauhaus Dances" in Dessau
- 9. The Readymade as Movement: Cunningham, Duchamp, and Nam June Paik's Two Merces
- 10. Dance as Sign and Unruly Corporeality in Pasolini's Film and Theory
- 11. The Dancing Gaze Across Cultures: Kazuo Ohno's Admiring La Argentina
- 12. Bausch and The Symptom
- 13. The Quarrel of the Queen and the Transvestite: Sexuality, Class and Subculture in Paris is Burning
- 14. Dance, the De-materialization of Labor, and the Productivity of the Corporeal
- 15. In the Company of Donya Feuer: an Interdisciplinary Method
- 16. In Conversation: Alessandra Nicifero with Mark Franko
- Bibliography
- Publications
- Performance History
- Choreography, Performance
- Index