The Routledge Companion to Popular Music History and Heritage

Contents

• List of figures, tables and boxes
• Notes on contributors
• Acknowledgements
• 1 Framing the field of popular music history and heritage studies
• Zelmarie Cantillon, Catherine Strong, Lauren Istvandity and Sarah Baker
• PART 1History and historiography
• 2 Problematising popular music history in the context of heritage and memory
• Bruce Johnson
• 3 Gendered narratives of popular music history and heritage
• Rosa Reitsamer
• 4 Racialising music's past and the media archive
• Nabeel Zuberi
• 5 Sounding out popular music history: a musicological approach
• Richard Elliott
• 6 Reconstructing the past: popular music and historiography
• Steve Waksman
• 7 Cultural consecration and the creation of canons
• Vaughn Schmutz
• 8 What we did was secret: (one version of) the writing of popular music's histories
• Jon Dale
• 9 Music magazines and the first draft of history
• Dave Laing and Catherine Strong
• 10 Screening popular music's past: music documentary and biopics
• Tim Wall and Nicolas Pillai
• 11 Historiography and the role of the archive
• Antti-Ville Karja
• PART 2Heritage
• 12 What is popular music cultural heritage?
• Paul Long
• 13 The politics of popular music heritage
• Henry Johnson
• 14 Local and global intersections of popular music history and heritage
• Robert Knifton
• 15 Popular music heritage and tourism
• Brett D. Lashua
• 16 DIY preservationism and recorded music - saving lost sounds
• Andy Bennett
• 17 'Knowledge of Beatles songs and McCartney parts essential': tribute acts, the music industries and the value of heritage
• Shane Homan
• 18 Burning punk and bulldozing clubs: the role of destruction and loss in popular music heritage
• Catherine Strong
• PART 3Memory
• 19 Popular music and the memory spectrum
• Michael Pickering
• 20 Popular music and autobiographical memory: intimate connections over the life course
• Lauren Istvandity
• 21 Popular music in mediated and collective memory
• Ben Green
• 22 'Do you remember rock 'n' roll radio?' How audiences talk about music-related personal memories, preferences, and localities
• Amanda Brandellero, Marc Verboord and Susanne Janssen
• 23 Popular music and commemorative ritual: a material approach
• Irene Stengs
• 24 Songs that resonate: the uses of popular music nostalgia
• Arno van der Hoeven
• 25 Citizen archiving and virtual sites of musical memory in online communities
• Jez Collins
• PART 4Institutions
• 26 Representing popular music histories and heritage in museums
• Marion Leonard
• 27 Sound archives, ethnography and sonic heritage
• Noel Lobley
• 28 Popular music halls of fame as institutions of cultural heritage
• Raphael Nowak and Sarah Baker
• 29 DIY institutions and amateur heritage making
• D-M Withers
• 30 Reissue programmes: framing the past as project
• Elodie A. Roy
• PART 5Case studies
• 31 Rethinking Indigenous popular music heritage as Australian heritage
• Ase Ottosson
• 32 'Koile, 'Te Hua' and the Reggae-fication of cultural heritage
• Dan Bendrups, Pip Laufiso and Hiliako Iaheto
• 33 Bollywood: its histories in India, and beyond
• Jayson Beaster-Jones
• 34 Preserving popular music heritage in Hungary
• Emilia Barna
• 35 The history and heritage of popular Afrikaans music
• Schalk van der Merwe
• 36 Sound archives in West Africa
• Graeme Counsel
• 37 Palestinian popular music: how popular music becomes heritage
• Moslih Kanaaneh
• 38 Phillips' Sound Recording Services: the studio that tourism forgot
• Mike Brocken
• Index