Over and Over: Exploring Repetition in Popular Music

Contents

• List of Abbreviations and Contractions List of Musical Examples, Figures, and Tables
• Acknowledgements List of
• Contributors
• Preface Antoine Hennion (Centre de Sociologie de l'Innovation, France)
• Introduction Play It Again (and Again), Sam Olivier Julien (Paris-Sorbonne University, France) and Christophe Levaux (University of Liege, Belgium)
• Part I : Repetition as an aesthetic disposition
• 1. When the Music stutters: Notes toward a Symptomatology Robert Fink (University of California, Los Angeles, Herb Alpert School of Music, USA)
• 2. Time and Time Again: Repetition and Difference in Repetitive Music Anne Danielsen (University of Oslo, Norway)
• 3. Towards an Alternative History of Repetitive Audio Technologies Christophe Levaux (University of Liege, Belgium)
• Part II : Issues of perception
• 4. Loops, Memories and Meanings Chris Cutler (Independent Scholar)
• 5. Machine Possession: Dancing to Repetitive Beats Hillegonda C. Rietveld (London South Bank University, UK)
• 6. Repetition and Musical Meaning: Anaphonic Perspective in Connection with the Sonic Experience of Everyday Life Danick Trottier (Universite du Quebec a Montreal, Canada)
• Part III : Repetition as a structuring device
• 7. From "Sectional Refrains" to Repeated Verses: The Rise of the AABA Form Olivier Julien (Paris-Sorbonne University, France)
• 8. Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular Repetition Keith Salley (The Shenandoah Conservatory, USA) and Daniel T. Shanahan (Louisiana State University, USA)
• 9. A Psychological Perspective on Repetition in Popular Music Trevor de Clercq (Middle Tennessee State University, USA) and Elizabeth Hellmuth Margulis (University of Arkansas, USA)
• References
• Index