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Musician-Teacher Collaborations: Altering the Chord

  • Editor: Kenny, Ailbhe

Book

$66.25

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Contents

  • Foreword. Collaborative Journeys across Pedagogical Cultures: Attunement and the Interplay of Knowing and Unknowing (Liora Bresler)
  • Preface
  • Chapter 1. Musical Alterations: Possibilities for Musician-Teacher Collaborations (Ailbhe Kenny and Catharina Christophersen)
  • Part I: Critical Insights
  • Chapter 2. When Collaborations Go Beyond Teachers and Musicians Alone: Frame- and Stakeholder Analysis as Tools for Arts Advocacy (Hildegard Froehlich)
  • Chapter 3. Teacher-Musician-Collaborations on the Move: From Performance Appreciation to Dialogue (Kari Holdhus)
  • Chapter 4. Musicians as Musician-Teacher Collaborators: Towards Punk Pedagogical Perspectives (Gareth Dylan Smith)
  • Chapter 5. Role Expectations and Role Conflicts within Collaborative Composing Projects (Christian Rolle, Verena Weidner, Julia Weber, and Matthias Schlothfeldt)
  • Chapter 6. Thwarting the Authority of Purpose: Epistemic Responsibility within Collaborations (Cathy Benedict)
  • Part II: Crossing Boundaries
  • Chapter 7. SongPump: Developing a Composing Pedagogy in Finnish Schools Through Collaboration between Professional Songwriters and Music Teachers (Heidi Partti and Lauri Vakeva)
  • Chapter 8. Teaching Cantonese Opera in Hong Kong Schools: Interaction and Collaboration between Music Teachers and Artists (Bo-Wah Leung)
  • Chapter 9. Intending to Leave a Deep Impression: challenges of the Performance Event in School (Cecilia K. Hultberg)
  • Chapter 10. The Complete Musician - The Formation of the Professional Musician (June Boyce-Tillman)
  • Chapter 11. An Urban Arts Partnership: Teaching Artists and the Classroom Teachers who Collaborate with them (Harold F. Abeles)
  • Chapter 12. Dialogues between Teachers and Musicians in Creative Music-Making Collaborations (Randi Margrethe Eidsaa)
  • Chapter 13. Abigail's Story: The Perspective of a Professor/iPadist/Teaching Artist (Clint Randles)
  • Part III: Working Towards Partnership
  • Chapter 14. "Ideal Relationships": Reconceptualizing Partnership in the Music Classroom using the Smallian Theory of Musicking (Julia Partington)
  • Chapter 15. Nurturing on the go? A Story of Nomadic Partnership (Katharine Kresek)
  • Chapter 16. Musician-Teacher Collaborations in Composing Contemporary Music in Secondary Schools (Victoria Kinsella, Martin Fautley, and Nancy Evans)
  • Chapter 17. "I'm just the Bass Player in their Band": Dissolving Artistic and Educational Dichotomies in Music Education (Lars Brinck)
  • Chapter 18. Small Composers: Creating Musical Meaning in a Community of Practice (Sven-Erik Holgersen, Peter Bruun, and Mette Tjagvad)
  • Chapter 19. Equal Temperament: Coteaching as a Mechanism for Musician-Teacher Collaboration (Marita Kerin and Collette Murphy)
  • Chapter 20. Alteration, Disruption or Reharmonization? Pathways for Musician-Teacher Collaborations (Catharina Christophersen and Ailbhe Kenny)