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The Sonic Self: Musical Subjectivity and Signification

  • Author: Cumming, Naomi
Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming, violinist and music theorist, based this... More…

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Contents

  • Preliminary Table of Contents:
  • Introduction
  • Musical Initiations
  • Subjects and Subjectivity
  • A Philosophical Outlook
  • 1. Signs of Subjectivity
  • Physical Disciplines and Signs
  • A Semiotic View of Musical Subjectivity
  • Expressive Individuation and Uncertainty
  • 2. Listening Subjects and Semiotic Worlds
  • The Uncertainties of Musical Signification
  • Interntionality and Metaphor
  • Subjects and First-person Authority
  • Regaining an Interpretive "I"
  • 3. Musical Signs
  • Signs and Objects
  • Questions and Typologies
  • 4. Naming Qualities; Hearing Signs
  • Qualities and Qualities-as-Signs
  • Disciplinary Boundaries: How Does Semiotics Relate to Psychology?
  • 5. Gesturing
  • Gesture as Performance and Convention
  • To Perform or to Dissimulate?
  • Voice and Gesture as Virtualities
  • 6. Framing Willfulness in Tonal Law
  • Theorists: Giving Roles to Rules
  • The Dialectics of Tonal Semiosis
  • 7. Complex Syntheses
  • Expressive Complexity and Musical "Personae"
  • Modes of Synthesis
  • 8. Culturally Embedded Signs
  • Emergent Qualities
  • Skeptical Issues
  • 9. Values and Personal Categories
  • Sounds and Sensuality
  • Encounters
  • Rehabilitating the Subject
  • Appendix: Theorizing Generals
  • Real or Nominal Rules?
  • Finding Constancies, Explaining What One Hears, or Seeking Enlightenment?
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