J. S. Bach as Organist: His Instruments, Music, and Performance Practices

Contents

• Preface
• Abbreviations
• *The Instruments Used by Bach
• Ulrich Dahnert, "Organs Played and Tested by J. S. Bach"
• Hartmut Haupt, "Bach Organs in Thuringia"
• Harald Vogel, "North German Organ Building of the Late Seventeenth Century: Registration and Tuning"
• John Brombaugh, "Bach's Influence on Late Twentieth-Century Armerican Organ Building"
• Marie-Claire Alain, "Why an Acquaintance with Early Organs Is Essential for Playing Bach"
• *Bach's Organ Music
• Christoph Wolff, "Johann Adam Reinken and Johann Sebastian Bach: On the Context of Bach's Early Works"
• Ernest May, "The Types, Uses, and Historical Position of Bach's Organ Chorales"
• Werner Breig, "The 'Great Eighteen' Chorales: Bach's Revisional Process and the Genesis of the Work"
• Christoph Wolff, "Bach's Personal Copy of the Schubler Chorales"
• George Stauffer, "Fugue Types in Bach's Free Organ Works"
• Friedhelm Krummacher, "Bach's Free Organ Works and the Stylus Phantasticus"
• Laurence Dreyfus, "The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas"
• *Matters of Performance Practice
• George Stauffer, "Bach's Organ Registration Reconsidered"
• Robert L. Marshall, "Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works"
• Luigi Ferninando Tagliavini, "Bach's Organ Transcription of Vivaldi's 'Grosso Mogul'"
• Victoria Horn, "French Influence in Bach's Organ Works"
• Peter Williams, "The Snares and Delusions of Notation: Bach's Early Organ Works"
• Calendar of Events in Bach's Life as Organist
• Index