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Mary Wigman

  • Author: Newhall, Mary Anne Santos

Book

$52.00

Usually despatched in 5 - 7 working days

Contents

  • MARY WIGMAN: A LIFE IN DANCE
  • Prologue: why Mary Wigman? Introduction
  • Childhood
  • The beginning of a life in dance Dalcroze and the garden city of Hellerau Return to ritual on the mountain of truth Dancing Dada
  • The crisis year
  • The gilded and tarnished twenties The First Dancers' Congress
  • The Second Dancers' Congress The Third Dancers' Congress Coming to the United States Der Weg (The Path)
  • Returning to the new Germany Dancing in Dresden, 1933-1942 Leaving Dresden
  • To Berlin
  • MARY WIGMAN'S WRITINGS ON THE DANCE: A PHILOSOPHY EMBODIED
  • Introduction
  • The Language of Dance Philosophical context Why a new dance?
  • Primitively modern
  • Spannung and Entspannung Space
  • Time, music, rhythm
  • The Mary Wigman Book
  • What did Wigman mean by ecstasy and form? Apollonian and Dionysian
  • Ideas on composition and the choreographic theme
  • Who has inherited the emotive dance lineage of Mary Wigman?
  • MARY WIGMAN AS CHOREOGRAPHER: CHOOSING THE FOCUS
  • Solo as signature: Hexentanz The mask as doorway Hexentanz: a description Group dance
  • The Seven Dances of Life (1921) Choric dance
  • Totenmal (1930) Final solo concert
  • PRACTICAL EXERCISES
  • Class at the Mary Wigman School Discovering the eloquent body
  • Wigman movement qualities in practice What makes the dance?
  • Space
  • Dance as language
  • Speaking beyond the individual body
  • Composition: improvisation and developing a theme
  • One final theme