Critical Approaches to the Production of Music and Sound

Contents

• List of Figures List of Tables List of
• Contributors
• Chapter 1 : The Production of Music and Sound: A Multidisciplinary Critique Eliot Bates and Samantha Bennett
• Section 1 : Situating Production: Place, Space and Gender
• Chapter 2 : Field Recording and the Production of Place Tom Western (University of Edinburgh, Scotland)
• Chapter 3 : The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production Damon Minchella (University of Birmingham, England)
• Chapter 4 : "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches Paula Wolfe (Sib Records, England)
• Section 2 : Beyond Representation
• Chapter 5 : Producing TV Series Music in Istanbul Eliot Bates (City University of New York, USA)
• Chapter 6 : Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia)
• Section 3 : Electronic Music
• Chapter 7 : "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education Patrick Valiquet (University of Edinburgh, UK)
• Chapter 8 : Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance Mike D'Errico (UCLA, USA)
• Section 4 : Technology and Technique
• Chapter 9 : Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology Alan Williams (UMASS, Lowell, USA)
• Chapter 10 : Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair Owen Marshall (Cornell University, USA)
• Section 5 : Mediating Sound and Silence
• Chapter 11 : Listening To or Through Technology: Opaque and Transparent Mediation Ragnhild Brovig-Hanssen (University of Oslo, Norway)
• Chapter 12 : Six Types of Silence Richard Osborne (Middlesex University, England)
• Section 6 : Virtuality and Online Production
• Chapter 13 : Intermixtuality: Case Studies in Online Music [Re]Production Samantha Bennett (Australian National University, Australia)
• Chapter 14 : Crowdfunding and Alternative Modes of Production Mark Thorley (Coventry University, England)
• Index