Rethinking Dance History: Issues and Methodologies
- Editor: Morris, Geraldine
- Editor: Nicholas, Larraine
Book
$204.75Printed on demand
Contents
- Contents
- Notes on Contributors
- Preface
- Part One
- INTRODUCTION: WHY DANCE HISTORY?
- Geraldine Morris and Larraine Nicholas
- MEMORY, HISTORY AND THE SENSORY BODY: DANCE, TIME, IDENTITY
- Larraine Nicholas
- CARA TRANDERS'S REVERIES
- By herself
- BEYOND FIXITY: AKRAM KHAN ON THE POLITICS OF DANCING HERITAGES
- Royona Mitra
- AFRICAN-AMERICAN DANCE REVISITED: UNDOING MASTER NARRATIVES IN THE STUDYING AND TEACHING OF DANCE HISTORY
- Takiyah Nur Amin
- DANCE WORKS, CONCEPTS AND HISTORIOGRAPHY
- Anna Pakes
- RECONSTRUCTION AND DANCE AS EMBODIED TEXTUAL PRACTICE
- Helen Thomas
- PRESERVING THE REPERTORY AND EXTENDING THE HERITAGE OF MERCE CUNNINGHAM
- Karen Eliot
- MAKING DANCE HISTORY LIVE - PERFORMING THE PAST
- Henrietta Bannerman
- Part Two
- INTRODUCTION: RESEARCHING AND WRITING
- Geraldine Morris and Larraine Nicholas
- DESTABILISING THE DISCIPLINE: CRITICAL DEBATES ABOUT HISTORY AND THEIR IMPACT ON THE STUDY OF DANCE
- Alexandra Carter
- DECOLONISING DANCE HISTORY
- Prarthana Purkayastha
- MANY SOURCES, MANY VOICES
- Lena Hammergren
- 'DREAM NO SMALL DREAMS!': IMPOSSIBLE IMAGINARIES IN DANCE COMMUNITY ARCHIVING IN A DIGITAL AGE
- Astrid von Rosen
- WHEN PLACE MATTERS: PROVINCIALIZING THE 'GLOBAL'
- Emily E. Wilcox
- CONSIDERING CAUSATION AND CONDITIONS OF POSSIBILITY: PRACTITIONERS AND PATRONS OF NEW DANCE IN PROGRESSIVE-ERA AMERICA
- Linda J. Tomko
- 'DANCIN' IN THE STREET': STREET DANCING ON FILM AND VIDEO FROM FRED ASTAIRE TO MICHAEL JACKSON
- Beth Genne
- JUDSON: REDUX AND REMIX
- Marcia B. Siegel
- RUTH PAGE, FEMININE SUBJECTIVITY, AND GENERIC SUBVERSION
- Joellen A. Meglin
- EXTENSIONS: ALONZO KING AND BALLET'S LINES
- Jill Nunes Jensen
- GISELLE AND THE GOTHIC: CONTESTING THE ROMANTIC IDEALISATION OF THE WOMAN
- Geraldine Morris