Composing Processes and Artistic Agency: Tacit Knowledge in Composing

Contents

• Introduction
• 1. The Topography Of Composing Work
• 1.1. Parameters and Resources
• 1.2. Peers and Non-Peers
• 1.3. Material Objects: Musical Instruments, Computers and Writing Materials
• 1.4. Immaterial Objects: Discourses, Notation Systems, Algorithms and Software
• 2. The Processuality Of Composing
• 2.1. Exploring - Understanding - Valuing - Making
• 2.2. The Cohesion of Activities Inherent in Processes
• 2.3. The Artistic Creative Processes as a Dynamic Interlinking of Actions
• 3. Orchestrating Different Forms of Knowledge
• 3.1. The Various Manifestations of Artistic Practical Knowing
• 3.2. The Centrality of Learning
• 3.3. Forms of Knowledge in Composing Processes: An Interpretative Order
• 3.4. The Synergy Between the Various Forms of Knowledge
• 4. Composing-As-Process: Musicological Perspectives, Andreas Holzer
• 4.1. Perspectives on Composing-As-Process: A Historical Outline
• 4.2. The Components of Composing Practices and their Interrelations: Present-Day Observations