Recording Studio Design
- Author: Newell, Philip
Book
$147.50Printed on demand
Contents
- About the Author
- Acknowledgements
- Preface
- Introduction
- Chapter 1: General Requirements and Common Errors
- Chapter 2: Sound, Decibels, and Hearing
- Chapter 3: Sound Isolation
- Chapter 4: Room Acoustics and Means of Control
- Chapter 5: Designing Neutral Rooms
- Chapter 6: Rooms with Characteristic Acoustics
- Chapter 7: Variable Acoustics
- Chapter 8: Room Combinations and Operational Considerations
- Chapter 9: The Studio Environment
- Chapter 10: Limitations to Design Predictions
- Chapter 11: Loudspeakers in Rooms
- Chapter 12: Flattening the Room Response
- Chapter 13: Control Rooms
- Chapter 14: The Behaviour of Multiple Loudspeakers in Rooms
- Chapter 15: Studio Monitoring: The Principal Objectives
- Chapter 16: The Non-Environment Control Room
- Chapter 17: The Live-End, Dead-End Approach
- Chapter 18: Response Disturbances Due to Mixing Consoles and Studio Furniture
- Chapter 19: Objective Measurement and Subjective Evaluations
- Chapter 20: Studio Monitoring Systems
- Chapter 21: Surround Sound and Multi-Channel Control Rooms
- Chapter 22: Dubbing Theatres and Cinema Sound
- Chapter 23: A Mobile Control Room
- Chapter 24: Foldback
- Chapter 25: Main Supplies and Earthing Systems
- Chapter 26: Analogue Audio Interfacing
- Chapter 27: A Pictorial Representation of a Studio Construction
- Chapter 28 Human Factors
- Appendix 1
- Appendix 2
- Glossary of Terms
- Conversion Tables
- Index