The Routledge Companion to Embodied Music Interaction

Contents

• Introduction: What is Embodied Music Interaction? (Marc Leman, Micheline Lesaffre, and Pieter-Jan Maes)
• Part 1: Dynamical Music Interaction Theories and Concepts
• 1 The Interactive Dialectics of Musical Meaning Formation (Marc Leman)
• 2 Metrically Structured Time and Entrainment (Guy Madison, Fredrik Ullen, and Bjoern Merker )
• 3 Participatory Sense-Making in Joint Musical Practice (Andrea Schiavio and Hanne De Jaegher)
• 4 Playing with the Beat: A Process-Oriented Approach to Studying Sensorimotor Synchronization in Early Childhood (Ana Almeida, Katie Overy, and Dorothy Miell)
• 5 The Merging of Musician and Musical Instrument: Incorporation, Presence, and Levels of Embodiment (Luc Nijs)
• 6 Music Knowledge Construction: Enactive, Ecological, and Biosemiotic Claims (Mark Reybrouck)
• Part 2: Expressive Gestural Interaction
• 7 Cognitive and Sensorimotor Resources for the Encoding of Expressiveness during Music Playing (Muzaffer Corlu, Pieter-Jan Maes, and Marc Leman)
• 8 Beyond Emotion: Multi-Sensory Responses to Musical Expression (Giovanni De Poli, Maddalena Murari, Sergio Canazza, Antonio Roda, and Emery Schubert)
• 9 Conveying Expressivity and Individuality in Keyboard Performance (Bruno Gingras)
• 10 The Resilience Approach to Studying Group Interaction in Music Ensemble (Donald Glowinski, Fabrizio Bracco, Carlo Chiorri, and Didier Grandjean)
• 11 Agency in Embodied Musical Interaction (Nikki Moran )
• 12 Postures and Motion Shaping Musical Experience (Rolf Inge Godoy )
• 13 The Communication of Emotions in Dance (Edith Van Dyck, Birgitta Burger, and Konstantina Orlandatou)
• Part 3: Social Music Interaction
• 14 Group Flow (Tom Cochrane)
• 15 Entrainment and Mutual Adaptation in Musical Movement and Dance (Tommi Himberg)
• 16 Embodied Expression through Entrainment and Co-Representation in Musical Ensemble Performance (Jennifer MacRitchie, Manuel Varlet, and Peter E. Keller)
• 17 Musical Performance as Joint Action (John Michael)
• 18 Do Jazz Improvizers Really Interact? The Score Effect in Collective Jazz Improvization (Francois Pachet, Pierre Roy, and Raphael Foulon)
• 19 Gestural Interactions in Ensemble Performance (Davi Mota, Mauricio Loureiro, and Rafael Laboissiere)
• 20 Interpersonal Coordination in Dyadic Performance (Marc R. Thompson, Georgios Diapoulis, Tommi Himberg, and Petri Toiviainen)
• 21 Embodied Social Synchronization in Children's Musical Development (Leon van Noorden, Leen De Bruyn, Raven van Noorden and Marc, Leman)
• Part 4: Sociological and Anthropological Approaches
• 22 Embodied Interaction with "Sonic Agents": An Anthropological Perspective (Filippo Bonini Baraldi)
• 23 The Ethnography of Embodied Music Interaction (Martin Clayton)
• 24 Combat-Dancing, Cultural Transmission and Choreomusicology: The Globalization of Embodied Repertoires of Sound and Movement (Paul Mason)
• 25 The Hiplife Zone: Cultural Transformation Processes in African Music Seen from the Angle of Embodied Music Interactions (Dominik Phyfferoen, Koenraad Stroeken, and Marc Leman)
• 26 Crafting the Playing Body as an Infrastructure of "Immediate" and "Mediate" Embodied Music Cognition in an Academic Jazz Program (Eitan Wilf)
• 27 Brain-to-Brain Coupling and Culture as Prerequisites for Musical Interaction (Elvira Brattico and Peter Vuust)
• Part 5: Empowering Health and Well-Being
• 28 Coupling Music and Motion: From Special Education to Rehabilitation (Danilo Spada and Emmanuel Bigand)
• 29 Embodied Music Listening (Lars Ole Bonde)
• 30 Jymmin - The Medical Potential of Musical Euphoria (Thomas Hans Fritz)
• 31 Music in the Exercise and Sport Domain: Conceptual Approaches and Underlying Mechanisms (Costas I. Karageorghis, Panteleimon Ekkekakis, Jonathan M. Bird and Marcelo Bigliassi)
• 32 Monitoring Music and Movement Interaction in People with Dementia (Micheline Lesaffre, Bart Moens, and Frank Desmet)
• 33 Synchronization to Music as a Tool for Enhancing Non-Verbal Communication in People with Neurological Diseases (Nia Cason, Loris Schiaratura, and Severine Samson)
• 34 Modifying Movement Optimization Processes with Music (Rebecca Schaefer and Scott T. Grafton)
• Part 6: Modeling Music Interaction
• 35 Modeling Music Interaction (Denis Amelynck)
• 36 Analyzing Complex Datasets Based on the Variability Framework, Distribution Analysis and Generalized Linear Modeling (Frank Desmet)
• 37 Removing Obstacles to the Analysis of Movement in Musical Performance: Recurrence, Mixed Models, and Surrogates (Alexander P. Demos and Roger Chaffin)
• 38 Dynamic Bayesian Networks for Musical Interaction (Baptiste Caramiaux, Jules Francoise, and Frederic Bevilacqua)
• 39 Temporal Dependencies in the Expressive Timing of Classical Piano Performances (Maarten Grachten and Carlos Eduardo Cancino Chacon)
• 40 Interactions in Ensemble Music Performance: Empirical and Mathematical Accounts (Caroline Palmer and Anna Zamm)
• 41 Linking Movement Recurrence to Expressive Patterns in Music Performance (Euler C. F. Teixeira, Mauricio Loureiro, and Hani C. Yehia)
• Part 7: Music-Based Interaction Technologies and Applications
• 42 Designing Action-Sound Metaphors Using Motion Sensing and Descriptor-Based Synthesis of Recorded Sound Materials (Freideiric Bevilacqua, Norbert Schnell, Jules Franc oise, Eric O. Boyer, Diemo Schwarz, and Baptiste Caramiaux)
• 43 Designing for the Subtle: A Systematic Approach Towards Expressivity in New Musical Interfaces (Nicolas d'Alessandro )
• 44 Gestural Agency in Human-Machine Musical Interaction (Juan Ignacio Mendoza and Marc R. Thompson)
• 45 Gestural Musical Performance with Physiological Sensors, Focusing on the Electromyogram (Atau Tanaka and Miguel Ortiz)
• 46 Sonic Microinteraction in "the Air" (Alexander Refsum Jensenius)
• 47 Embodied Cognition and Digital Musical Instruments: Design and Performance (Joseph Malloch and Marcelo M. Wanderley)