Music and Medieval Manuscripts: Paleography and Performance

Contents

• Contents: Introduction
• Andrew Hughes in focus
• Part I Paleography: The script reform of Petrarch: an Illusion?, Albert Derolez
• Tres digiti scribunt: a typology of late-antique and medieval pen grips, Randall Rosenfeld
• Erasures in 13th-century music, John Haines
• Part II Music: The musical stanzas in Martin Le Franc's Le Champion des Dames, Margaret Bent
• Women's lament and the Neuming of the classics, Jan M. Ziolkowski
• Baghdadi rhythmic theories and practices in 12th-century Andalusia, George Dimitri Sawa
• Problems and possibilities in the performance of Trent 93's Polyphonic Introits, Brian E. Power
• Music, rhetoric and the emperor's new clothes,Timothy J. McGee
• Part III Drama: 15th-century Yorkshire drama: a hypothesis, Alexandra F. Johnston
• Civic musicians in Wales and the Marches, 1430-1642, David Klausner
• A few odd visits: unusual settings of the Visitatio sepulchri, Carol Symes
• Part IV Liturgy: Dufay's motet Balsamus et munda cera and the papal ceremony of the Agnus Dei, Craig Wright
• Origins and affiliations of the pre-sarum office for Anne in the Stowe breviary, Sherry Reames
• Early cycles of office chants for the Feast of Mary Magdalene, David Hiley
• The Kenilworth Missal (Chichester cathedral, MS Med. 2), Richard Pfaff
• Publications of Andrew Hughes
• Index.