Music and Its Social Meanings

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Chapter 1 Music and Society: The Forgotten Relationship
Chapter 2 Beethoven, Hegel and Marx
Chapter 3 Social and Philosophical Outlook in MozartaEURO (TM)s Operas
Chapter 4 Charles Ives and the Meaning of Quotation in Music
Chapter 5 A Musical Triptych: The Contemporary Scene
Chapter 6 An Aesthetic of Experimental Music
Chapter 7 A Revaluation of SibeliusaEURO (TM) Symphonies

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First Published in 1984. This is the second volume in a series on musicology and related areas edited by F. Joseph Smith. Deciphering the specific social characteristics of music has long lagged behind the analytical dissection of musical composition and biographical musicology. The essays in this volume have been produced in an attempt to redress the balance. The sociology of music as examined here is an investigation into the ways social formations come together in musical structures. These essays specifically address the problem of our neutralized music consciousness, the separation of music from the social context and the artificial insulation of musical understanding from the realms of social meanings. One theme in these essays concerns the struggle against ideological distortions arising from the insulation of music from its sociological context. The author argues that there is a stronger connection between music and society than is generally assumed.

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