Blixa Bargeld and Einstürzende Neubauten: German Experimental Music: 'Evading do-re-mi'

Contents

• Part I Context for Destruction
• prologue1 Prologue: Being There/Not Being There
• Chapter 1 Architecture, Angels and Utopia
• Chapter 2 Kattrin's Drum: Germany & Music - Identity, Politics & Memory
• Chapter 3 Free to Make Noise
• Chapter 4 Demonic Berlin
• Part II Performing Destruction
• prologue2 Prologue: 'They were always quoting Artaud'
• Chapter 5 Strategies against the Body
• Chapter 6 Strategies against the Corner
• Chapter 7 Strategies against the Voice
• Chapter 8 Strategies against the Scream
• Chapter 9 Strategies against the Text
• Part III Performing Reconstruction
• prologue3 Prologue: 'We know we have witnesses'
• Chapter 10 'A Small Utopia'
• conclusion Conclusion 'To infect others' Einsturzende Neubauten Warten auf die Barbaren Jo Mitchell's Reconstruction of Concerto for Voice and Machinery 'She is Happy like Roadworks'