Music in Eighteenth-Century Britain

Contents

• Contents: 18th-century English music: past, present, future, Peter Holman
• Institutions and Networks: Italian comic opera at the King's Theatre in the 1760s: the role of the Buffi, Saskia Willaert
• Freemasonry and musical life in London in the late 18th century, Simon McVeigh
• The London Roman Catholic Embassy Chapels and their music in the 18th and early 19th centuries, Philip Olleson
• Genre and Repertoire: Italian violoncellists and some violoncello solos published in 18th-century Britain, Lowell Lindgren
• Murder most virtuous: the Judith oratorios of De Fesch, Smith and Arne, Eva Zoellner
• A reappraisal of provincial church music, Sally Drage
• Sources and Resources: Handel's 1735 (London) version of Athalia, Donald Burrows
• The Mackworth Collection: a social and bibliographical resource, Sarah McCleave
• The papers of C.I. Latrobe: new light on musicians, music and the Christian family in late 18th-century England, Rachel Cowgill
• Individuals and Style: Maurice Greene's harpsichord music: sources and style, H. Diack Johnstone
• Viotti's 'London' concertos (Nos. 20-29): progressive or retrospective? Robin Stowell
• Index.