Musicological Identities: Essays in Honor of Susan McClary
- Author: Baur, Steven
- Author: Warwick, Jacqueline
- Editor: Knapp, Raymond
Book
$68.75Printed on demand
Contents
- Contents: Tribute to Susan McClary, Rose Rosengard Subotnik
- Introduction, Steven Baur, Raymond Knapp and Jacqueline Warwick. Part I Musical Identities: Gender Sexuality and Race: Value and meaning in The Magic Flute, Lawrence Kramer
- Whirling fanatics: orientalism, politics, and religious rivalry in western operatic representation of the orient, Nasser Al-Taee
- Reveling in the rubble: where is the love?, George Lipsitz
- 'Waltz me round again Willie': gender, ideology and the waltz in the Gilded Age, Steven Baur
- 'And the colored girls sing': backup singers and the case of the Blossoms, Jacqueline Warwick
- The universe will tell you what it needs: being, time, Sondheim, Paul Attinello. Part II Music and Temporality: Making time - the soundtrack and narrative time, Daniel Goldmark
- Sleights of time in the music of Cassandra Wilson, Charles Hiroshi Garrett
- Temporal turntables: on temporality and corporeality in dance culture, Stan Hawkins
- Resisting the sublime: loose synchronization in La Belle et la BAte and The Dark Side of Oz, John Richardson
- Of railroads, Beethoven and Victorian modernity, Ruth A. Solie
- Marking time in Pacific Overtures: reconciling East, West and history within the theatrical now of a Broadway musical, Raymond Knapp. Part III Reinventing Analysis: 3 little essays on evanescence, Mitchell Morris
- Gender sonics: the voice of Patsy Cline, Richard Leppert
- Shoddy equipment for living? Deconstructing Tin Pan Alley song, Rose Rosengard Subotnik
- Musicology beyond the score and the performance: making sense of the creak on Miles Davis's 'Old Folks', David Atke
- Uninvited: gender, schizophrenia and Alanis Morissette, Robert Walker
- Index.