From Modernism to Postmodernism: Between Universal and Local

Contents

• Preface ............................................................................................................................9
• Theoretical Basis
• Gregor Pompe
• Postmodernism in Society and Art: An Overview ................................................17
• Helmut Loos
• Modernity - Postmodernity. Controversial Core Structures
• of Musical Thinking ...................................................................................................33
• Petra Ceferin
• The Creative Practice (of Architecture): Insisting on the In-Between ................43
• Niksa Gligo
• Globalization and/or Pluralism: But What about Musics, Their Styles,
• Techniques and Musicology? ....................................................................................55
• From Modernism ...
• Grazina Daunoraviciene
• Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as
• an Example of European Modernism in its Early Stages ......................................71
• Manuel Farolfi
• Modernism at Work in Pierre Boulez's Writings, 1948-952 ........................... 107
• Hei Yeung John Lai
• Rethinking Form: A Structural Analysis of Constellation-Miroir,
• Formant 3 of Boulez's Third Piano Sonata ........................................................... 127
• Ka-man Choi
• Textual Permutation in Mauricio Kagel's Anagrama (1957-958):
• New Modes of Serial Thought ............................................................................... 153
• 6 Contents
• Cristina Scuderi
• Contemporary Opera and Musical Theatre on Italian Stages Between the
• Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165
• ...to Postmodernism
• Juija Jonae
• From Modernism to Postmodernism: The Modulation and
• Correlation between Two Styles in the Context of
• Musical Works by Sacred Minimalists .................................................................. 177
• Moeko Hayashi
• Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193
• Gregor Pompe
• Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and
• Leonard Bernstein's Mass: European and American postmodernism, or
• pluralism vs. eclecticism ......................................................................................... 207
• Jana Majerova
• Musical Quotation as a Fundamental Way for Expressing a
• Message in the Work of Alfred Schnittke ............................................................. 231
• Simone Heilgendorff
• Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn
• after the Year 2000 in a Comparative Perspective: European or
• National Forums for Contemporary Art Music and Culture? .......................... 253
• Alessandro Miani
• A Language-Based Approach to Music and Intertextuality ............................... 267
• Milena Bozhikova
• Contemporary Music between History and Eschatology .................................. 279
• Postmodernism in Eastern Europe
• Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of
• Latvian Composer Symphonic Music in the Context of Postmodern
• Culture and Art ........................................................................................................ 303
• Kamile Rupeikaite
• The Semantics of the Music of Anatolijus Senderovas ....................................... 327
• Joanna Schiller-Rydzewska
• Different Faces of Postmodernism in the Works of Contemporary
• Composers of the Gdansk Milieu ......................................................................... 337
• Tatiana Pirnikova
• The Way from Modernist Positions to the Intimate Lyrical Position
• of the Composer Oto Ferenczy .............................................................................. 353
• Niall O'Loughlin
• Lojze Lebic: Modernism and the Vernacular ...................................................... 361
• Ira Prodanov Krajisnik
• Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377