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Treatise on Musical Objects: An Essay across Disciplines

Treatise on Musical Objects: An Essay across Disciplines

  • Author: Schaeffer, Pierre
  • Translator: Dack, John
  • Translator: North, Christine
[Christine North and John Dack's] English translation is as effective as Schaeffer's text, which in turn exercises its full correlative power to English readers to the extent that the translators... More…

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Contents

  • The Treatise on Musical Objects and the GRM, by Daniel Teruggi
  • Translators' Introduction, by Christine North
  • Pierre Schaeffer's Treatise on Musical Objects and Music Theory, by John Dack
  • Acknowledgments
  • Preface
  • Introductory Remarks: The Historical Situation of Music
  • Book One. Making Music
  • 1. The Instrumental Prerequisite
  • 2. Playing an Instrument
  • 3. Capturing Sounds
  • 4. Acousmatics
  • Book Two. Hearing
  • 5. "What Can Be Heard"
  • 6. The Four Listening Modes
  • 7. Scientific Prejudice
  • 8. The Hearing Intention
  • Book Three. Correlations Between the Physical Signal and the Musical Object
  • 9. Ambiguities in Musical Acoustics
  • 10. Correlation between Spectra and Pitches
  • 11. Threshold and Transients
  • 12. Temporal Anamorphoses I: Timbres and Dynamics
  • 13. Temporal Anamorphoses II: Timbre and Instrument
  • 14. Time and Duration
  • Book Four. Objects and Structures
  • 15. Reduction to the Object
  • 16. Perceptual Structures
  • 17. Comparative Structures: Music and Language
  • 18. The Conventional Musical System: Musicality and Sonority
  • 19. Natural Sound Structures: Musicianly Listening
  • 20. The Reduced Listening System: Musical Dualism
  • 21. Musical Research
  • Book Five. Morphology and Typology of Sound Objects
  • 22. Morphology of Sound Objects
  • 23. The Laboratory
  • 24. Typology of Musical Objects (I): Classification Criteria
  • 25. Typology of Musical Objects (II): Balanced and Redundant Objects
  • 26. Typology of Musical Objects (III): Eccentric Sounds
  • 27. Working at Our Instrument
  • Book Six. Theory of Musical Objects
  • 28. Musical Experience
  • 29. Generalizing Music Theory
  • 30. Theory of Homogenous Sounds: Criterion of Mass
  • 31. Theory of Fixed Masses: Dynamic Criterion
  • 32. Theory of Sustainment
  • 33. Theory of Variations
  • 34. Analysis of the Musical Object as It Generally Appears
  • Book Seven. Music as a Discipline
  • 35. Implementation
  • 36. The Meaning of Music
  • Penultimate Chapter: In the Search of Music Itself
  • Postscript
  • Index