Music and Identity in Ireland and Beyond

Contents

• Introduction, John O'Flynn, Mark Fitzgerald
• Part I Historical Perspectives
• Chapter 1 'Whatever has a Foreign Tone / We like much better than our own': Irish Music and Anglo-Irish Identity in the Eighteenth Century, Barra Boydell
• Chapter 2 Traditional Music in the Irish Revival, Martin Dowling
• Chapter 3 'A National School of Music Such as the World has Never Seen': Re-appropriating the Early Twentieth Century into a Chronology of Irish Composition, Edmund Hunt
• Chapter 4 The 'Irish Music' of Arnold Bax and E.J. Moeran, Fabian Gregor Huss
• Chapter 5 Inventing Identities: The Case of Frederick May, Mark Fitzgerald
• Chapter 6 Forging a Northern Irish Identity: Music Broadcasting on BBC Northern Ireland, 1924-39, Ruth Stanley
• Part II Recent and Contemporary Production
• Chapter 7 'From Inside my Head': Issues of Identity in Northern Ireland through the Music of Kevin O'Connell, Jennifer McCay
• Chapter 8 The Honourable Tradition of Non-existence: Issues of Irish Identity in the Music and Writings of Raymond Deane, Adrian Smith
• Chapter 9 Dancing at the Crossroads Remixed: Irish Traditional Musical Identity in Changing Community Contexts, Kari K. Veblen
• Chapter 10 Morrissey's Gothic Ireland, Isabella van Elferen
• Chapter 11 Post-punk Industrial Cyber Opera? The Ambivalent and Disruptive Hybridity of Early 1990s' U2, Noel McLaughlin
• Part III Cultural Explorations
• Chapter 12 Gael or Gall ? Musical Identity in Early 1970s Cape Clear Island, Therese Smith
• Chapter 13 Positive Vibrations: Musical Communities in African Dublin, Matteo Cullen
• Chapter 14 Kalfou Danjere ? Interpreting Irish-Celtic Music, John O'Flynn
• Chapter 15 Music in Ireland: Youth Cultures and Youth Identity, Eileen Hogan
• Chapter 16 The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture, Harry White