Artistic Practice as Research in Music: Theory, Criticism, Practice

Contents

• Contents: Introduction, Mine DoAEYantan-Dack. Part I Institutional and Critical Perspectives: Performing research: some institutional perspectives, Nicholas Cook
• Practising research, playing with knowledge, Celia Duffy and Stephen Broad
• Artistic research and music scholarship: musings and models from a continental European perspective, Darla Crispin
• Determination and negotiation in artistic practice as research in music, Anthony Gritten. Part II Disciplinary and Methodological Issues: Practice-based music research: lessons from a researcher's personal history, Jane W. Davidson
• Following performance across the research frontier, Kathryn Whitney
• The (f)utility of performance analysis, John Rink
• Imaginary workspaces: creative practice and research through electroacoustic composition, John Young. Part III Specific Projects: The role of the musical instrument in performance as research: the piano as a research tool, Mine DoAEYantan-Dack
• Creating new music for a redesigned instrument, Christopher Redgate
• Improvisations towards an origin: the steel cello and the bow chime, Adrian Palka
• FLAT TIME/sounding, David Toop
• Index.