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Music in Epic Film: Listening to Spectacle

Music in Epic Film: Listening to Spectacle

  • Editor: Meyer, Stephen

Book

$63.50

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Contents

  • Series
  • Foreword
  • Preface Epic Genre, Epic Style Stephen C. Meyer
  • Acknowledgments
  • Part I : Marketing and Production
  • 1. Branding the Franchise: Music and the (Corporate) Myth of Origin James Buhler
  • 2. Manufacturing the Epic Score: Hans Zimmer and the Sounds of Significance Frank Lehman
  • Part II : Narrative and Interpretation
  • 3. Topoi and Intertextuality: Narrative Function in Hans Zimmer's and Lisa Gerrard's Music to Gladiator Joakim Tillman
  • 4. The Politics of Authenticity in Miklos Rozsa's Score to El Cid Stephen C. Meyer
  • Part III : Pre-Existing Music and the Epic Style
  • 5. From Authenticity to Anachronism: Pre-Existing Music and "Epic Englishness" in Elizabeth and Master and Commander Alexandra Wilson
  • 6. Records, Repertoire and Rollerball : Music and the Auteur Epic Julie Hubbert
  • Part IV : Songs and Themes
  • 7. "The epic and intimately human": Contemplating Tara's Theme in Gone With the Wind Nathan Platte
  • 8. "We're the real countries": Songs as Private Musical Territories in the Epic Romances Casablanca, Doctor Zhivago , and The English Patient Todd Decker
  • Part V : Genre and the (Anti-)Epic
  • 9. Inverting the Epic: The Music of Ridley Scott's Kingdom of Heaven Kirsten Yri
  • 10. The Western as National Epic: Musical Persona and Narrative Distance in High Noon Jordan Carmalt Stokes