Critica Musica: Essays in Honour of Paul Brainard

Contents

• Principal Publications of Paul Brainard
• Some Considerations of the Sources of Cristobal Galan's Music
• The Speaking Body: Gaspero Angiolini's Rhetorique Muette and the Ballet d'Action in the Eighteenth Century
• Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage Motet
• Bach, Theology, and Harmony: A New Look at the Arias
• The Symphony and the Artist's Creed: Camille Saint-Saens and His Third Symphony
• The Letter as Convention in Seventeenth-Century Venetian Opera
• Poetic and Musical Forms in the Laude of Innocenti us Dammonis
• Melody and Motive in Schenker's Earliest Writings
• Twins, Cousins, and Heirs: Relationships among Editions of Music Printed in Sixteenth-Century Venice
• Rhetoric, Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich? Bach's tempo ordinaria: A Plaine and Easie Introduction to the System
• Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual Songs of the Late Middle Ages
• The Violins in Bach's St. John Passion
• French Opera in Transition: Silvie ( 1765) by Trial and Berton
• Kindling the Compositional Fire: Haydn's Keyboard Phantasiren
• When Sources Seem to Fail: The Clarinet Parts in Mozart's K. 581 and K. 622
• From Madrigal to Toccata: Frescobaldi and the Seconda Prattica
• Beethoven and Shakespeare
• Tenors Lost and Found: The Reconstruction of Motets in Two Medieval Chansonniers