Regarding Faure

Contents

• Introduction
• 1: Context & Criticism
• 1: Fauré and the Salons
• 2: Gabriel Fauré: Music Critic for Le Figaro
• 3: The Triumph of a Genre: Fauré's Chamber Music Through the Looking Glass of Music Criticism
• 4: A View of the French Chamber Music “Renaissance” from Parnassus
• 2: Mentor & Métier
• 5: Fauré at the Conservatoire: Critical Assessments of the Years 1896–1920
• 6: Camille Saint-Saëns: Fauré's Mentor 1
• 3: Analytical Approaches
• 7: The Organic Nature of Sonata Form in Fauré
• 8: Allusion in The Music of Gabriel Fauré
• 9: Ulysse Revealed 1
• 10: Fauré's Prelude to La Passion (1890): A Re-Examination of a Forgotten Score
• 4: Les Mélodies
• 11: Mort Exquise: Representations of Ecstasy in the Songs of Duparc and Fauré
• 12: Fauré's Religion and La Chanson d'Ève
• 13: A Voyage of Discovery into Fauré's Song Cycle Mirages
• 14: Fauré: Voice, Style and Vocality