Contents

• Part 01 Part I Theoretical Perspectives: Overview
• Part 01 Rolf Inge Godøy and Harald Jørgensen
• Section 01 1 Perspectives and Challenges of Musical Imagery
• Section 01 Albrecht Schneider and Rolf Inge Godøy
• Section 02 2 Neuropsychological Mechanisms Underlying Auditory Image Formation in Music
• Section 02 Petr Janata
• Section 03 3 Musical Imagery and Working Memory
• Section 03 Virpi Kalakoski
• Section 04 4 Modeling Musical Imagery in a Framework of Perceptually Constrained Spatio-Temporal Representations
• Section 04 Marc Leman
• Section 05 5 Mental Images of Musical Scales: A Cross-cultural ERP Study
• Section 05 Christiane Neuhaus
• Section 06 6 Complex Inharmonic Sounds, Perceptual Ambiguity, and Musical Imagery
• Section 06 Albrecht Schneider
• Section 07 7 Musical Imagery between Sensory Processing and Ideomotor Simulation
• Section 07 Mark Reybrouck
• Section 08 8 Musical Imagery as Related to Schemata of Emotional Expression in Music and on the Prosodic Level of Speech
• Section 05 Dalia Cohen and Edna Inbar
• Section 09 9 Imaging Soundscapes: Identifying Cognitive Associations between Auditory and Visual Dimensions
• Section 09 Kostas Giannakis and Matt Smith
• Part 02 Part II Performance and Composition: Overview
• Part 02 Rolf Inge Godøy and Harald Jørgensen
• Section 10 10 Expressive Timing in the Mind’s Ear
• Section 10 Bruno H. Repp
• Section 11 11 Control of Timbre by Musicians – A Preliminary Report
• Section 11 Wolfgang Auhagen and Viktor Schoner
• Section 12 12 Images of Form: An Example from Norwegian Hardingfiddle Music
• Section 12 Tellef Kvifte
• Section 13 13 Imagined Action, Excitation, and Resonance
• Section 13 Rolf Inge Godøy
• Section 14 14 The Keyboard as Basis for Imagery of Pitch Relations
• Section 14 James M. Baker
• Section 15 15 Composers and Imagery: Myths and Realities
• Section 15 Rosemary Mountain
• Section 16 16 The Musical Imagery of India
• Section 16 Lewis Rowell
• Name Index
• Subject Index