Bernstein Meets Broadway: Collaborative Art in a Time of War

Special import

Estimated despatch time 2 - 4 weeks

Introduction
Section I: Ballet, Nightclubs, Broadway
1.Youthful Celebrity and Progressive Visions: Breaking Out with Fancy Free
2. From Nightclubs to Broadway: The Revuers, Comedy Skits, and Progressive Politics
3. Creating a Broadway Musical: The Conception and Debut of On the Town
Section II: Staging Racial Politics
4. A Japanese American Star on Broadway: Sono Osato and Exotic Ivy Smith
5. Desegregating Broadway: On the Town and Race
6. Biographies on Stage: On the Town's Black Conductor, Dancers, and Singers
Section III: Musical Style
7. Crossover Composition: The Musical Styles of On the Town
8. On the Town After Dark: The Nightclub Scene
Section IV: Epilogue
Appendices
A. Discography and Videography of Fancy Free, On the Town, and The Revuers
B. Scenario for Fancy Free
C. Cast List for On the Town on Opening Night
Index

About
Explore

About

When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history.

Book

Contents

Download queue