Mendelssohn
- Editor: Taylor, Benedict
Book
$97.75Printed on demand
Contents
- Contents: Introduction: The long Mendelssohn Renaissance, Benedict Taylor. Aesthetics: Vorwort and Mendelssohn und die musikalische Gattungstradition, Carl Dahlhaus
- The aesthetics of assimilation and affirmation: reconstructing the career of Felix Mendelssohn, Leon Botstein
- Felix culpa: Goethe and the image of Mendelssohn, Lawrence Kramer
- Marxian programmatic music: a stage in Mendelssohn's musical development, Judith Silber Ballan
- The problem of the lyric persona in Mendelssohn's songs, Douglas Seaton
- Mendelssohn's Babel: romanticism and the poetics of translation, James Garratt. Music and Source-Studies: Zur Kompositionsart Mendelssohn: Thesen am Beispiel der Streichquartette, Friedhelm Krummacher
- Cyclic form and tonal relationships in Mendelssohn's 'Scottish' symphony, Rey M. Longyear
- Mendelssohn the progressive, Gregory Vitercik
- Mendelssohn: songs without words, William Rothstein
- 'Aber eben dieser Zweifel': A new look at Mendelssohn's 'Italian' symphony, John Michael Cooper
- The flight of Icarus: Mendelssohn's Lobgesang, Mark Evan Bonds. Context and Culture: Mendelssohn's Ossianic manner, with a new source: On Lena's gloomy heath, R. Larry Todd
- Musical historicism and the transcendental foundation of community: Mendelssohn's Lobgesang and the 'Christian German' cultural politics of Frederick William IV, John Edward Toews
- Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music, Michael P. Steinberg
- Mendelssohn's 'Scottish' symphony and the music of German memory, Peter Mercer-Taylor
- Fingal's Cave and Ossian's dream: music, image, and phantasmagoric audition, Thomas Grey. Biography and Reception: 1848, anti-semitism, and the Mendelssohn reception, Donald M. Mintz
- The hidden pathways of assimilation: Mendelssohn's first visit to London, Paul Jourdan
- Creative writing: the [self-] identification of Mendelssohn as Jew, Jeffrey S. Sposato
- Just how 'Scottish' is the 'Scottish' symphony? Thoughts on form and poetic content in Mendelssohn's Opus 56, Thomas Schmidt-Beste
- The composer as other: gender and race in the biography of Felix Mendelssohn, Marian Wilson Kimber. Index.