The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening
- Author: Laitz, Steven G.
Book
$96.00Contents
- Preface
- Part 1: The Foundations of Tonal Music
- Chapter 1A: Musical Space
- Chapter 1B: Musical Time: Pulse, Rhythm, and Meter
- Chapter 2: Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint
- Chapter 3: Musical Density: Triads, Seventh Chords, and Texture
- Part 2: Merging Melody and Harmony
- Chapter 4: When Harmony, Melody, and Rhythm Converge
- Chapter 5: Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading
- Chapter 6: The Impact of Melody, Rhythm, and Meter on Harmony
- Introduction to V7
- and Harmonizing Florid Melodies
- Chapter 7: Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords
- Chapter 8: More Contrpuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chords, and Reduction and Elavoration
- Part 3: A New Harmonic Function, The Phrase Model, and Additional Melodic and Harmonic Embellishments
- Chapter 9: The Pre-Dominant Function and the Phrase Model
- Chapter 10: Accented and Chromatic Embellishing Tones
- Chapter 11: Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions
- Chapter 12: The Pre-Dominant Refines the Phrase Model
- Part 4: New Chords and New Forms
- Chapter 13: The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model
- Chapter 14: The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships
- Chapter 15: The Period
- Chapter 16: Other Small Musical Structures: Sentences, Double Periods, and Modified Periods
- Chapter 17: Harmonic Sequences
- Part 5: Functional Chromaticism
- Chapter 18: Applied Chords
- Chapter 19: Tonicization and Modulation
- Chapter 20: Binary Form and Variations
- Part 6: Expressive Chromaticism
- Chapter 21: Modal Mixture
- Chapter 22: Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German Lied
- Chapter 23: The Neapolitan Chord (bII)
- Chapter 24: The Augmented Sixth Chord
- Part 7: Large Forms: Ternary, Rondo, Sonata
- Chapter 25: Ternary Form
- Chapter 26: Rondo
- Chapter 27: Sonata Form
- Part 8: Introduction to Nineteenth-Century Harmony: The Shirt from Asymmetry to Symmetry
- Chapter 28: New Harmonic Tendencies
- Chapter 29: Melodic and Harmonic Symmetry Combine: Chromatic Sequences
- Part 9: Twentieth and Twenty-First-Century Music
- Chapter 30: Vestiges of Common Practice and the Rise of a New Sound World
- Chapter 31: Noncentric Music: Atonal Concepts and Analytical Methodology
- Chapter 32: New Rhythmic and Metric Possibilities, Ordered PC Relations, and Twelve-Tone Techniques
- Appendices
- Appndix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
- Appendix 2: The Motive
- Appendix 3: Additional Harmonic-Sequence Topics
- Appendix 4: Abbreviations and Acronyms
- Appendix 5: Selected Answers to Textbook Exercises
- Glossary
- Index