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Music, Analysis, Experience: New Perspectives in Musical Semiotics

  • Editor: Maeder, Costantino
  • Editor: Reybrouck, Mark

Book

$84.50

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Contents

  • Preface
  • Costantino Maeder and Mark Reybrouck
  • Part One. Setting the Stage: Music-In-Action, Semiotics, and Intermediality
  • Music, Speech and Meaning in Interaction
  • Ian Cross
  • Capturing the Music: The Thin Line Between Mediation and Interference
  • Zelia Chueke and Isaac Chueke
  • Performativity Through(out) Media: Analyzing Popular Music Performance in the Age of Intermediality
  • Maurizio Corbella
  • Part Two. Representation, Interpretation, and Meaning
  • Reading a Work of Music from the Perspective of Integral Interpretation
  • Mieczysław Tomaszewski
  • La musique au second degré : on Gérard Genette's Theory of Transtextuality and its Musical Relevance
  • Paulo F. de Castro
  • Semiotic Narrativization Processes
  • Nicolas Marty
  • Musical Understanding: Wittgenstein, Ethics, and Aesthetics
  • Paulo C. Chagas
  • Where to Draw the Line? Representation in Intermedial Song Analysis
  • Lea Maria Lucas Wierød
  • Part Three. Experience, Cognition, and Affect
  • The Ability of Tonality Recognition as One of Human-Specific Adaptations
  • Piotr Podlipniak
  • Musical Semiotics and Analogical Reference
  • Lawrence M. Zbikowski
  • The Other Semiotic Legacy of Charles Sanders Peirce: Ethology and Music-Related Emotion
  • David Huron
  • Part Four. Intermediality and Transdisciplinarity
  • The Death of Klinghoffer: From Stage to Screen
  • Maarten Nellestijn
  • The Perception of Art Songs Through Image: A Semiotic Approach
  • Mônica Pedrosa de Pádua
  • "What Kind of Genre Do You Think We Are?" Genre Theories, Genre Names and Classes within Music Intermedial Ecology
  • Gabriele Marino
  • Part Five. Analysis and Beyond
  • A Story or Not a Story? Pascal Dusapin’s Opera Roméo & Juliette and New Ways of Musical Narratives
  • Małgorzata Pawłowska
  • Authorship, Narrativity and Ideology: The Case of Lennon-McCartney
  • Dario Martinelli
  • The Sublime as a Topic in Beethoven’s Late Piano Sonatas
  • Jamie Liddle
  • Melodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies
  • Robert S. Hatten
  • The Embodiment of Yearning: Towards a Tripartite Theory of Musical Agency
  • Rebecca Thumpston