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Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy
- Author: Underdahl, Robin
The stories are endless--and fascinating and amusing. . . . Lovers of orchestras, conductors, and violins will love this. It's also very well written, with the assistance of Robin Underdahl
Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy
- Author: Underdahl, Robin
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The stories are endless--and fascinating and amusing. . . . Lovers of orchestras, conductors, and violins will love this. It's also very well written, with the assistance of Robin Underdahl
About
Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen, he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966.
Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy’s great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas.
Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.
Contents
- Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy
Awards and reviews
The stories are endless--and fascinating and amusing. . . . Lovers of orchestras, conductors, and violins will love this. It's also very well written, with the assistance of Robin Underdahl
Shoot the Conductor is a terrific read for any music lover. Some of the inside stories about famous musicians, particularly the three conductors noted in the subtitle, will bring a smile to the lips of all who have heard stories of the evil ways of conductors, particularly George Szell and Eugene Ormandy
[Brusilow's] cultivated observational sense and rich, poetic inner life may well send you on a rewarding search for his still-available violin recordings. . . . Playing a Mozart concerto with a classical specialist such as Szell was an invitation to be eaten alive. In contrast to the micro-managing Szell, Ormandy invited his players to bring their own ideas to incidental solos but was tyrannical in other ways: though he thought of Brusilow like a son, he was threatened by the violinist's conducting ambitions
Brusilow's candid honesty throws a spotlight on how innate musical ability, personal temperament and inner compulsion combine to make us who we are. . . . This book encapsulates the career of an extraordinary musician



