Between Opera and Cinema

Contents

• Series Foreword, Martha Feldman Introduction, Rose Theresa and Jeongwon Joe
• 1. From Mphisophls to JeongwonSpectacle and Narrative in Opera and Early Film, Rose Theresa
• 2. There Ain's No Sanity Claus! The Marx Joethers at the Opera, Michal Grover Friedlander
• 3. The Tales of Hoffmann : An Instance of the Operatic, Lesley Stern
• 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete , Jeongwon Joe
• 5. Why Does Hollywood Like Opera? Marc A. Weiner
• 6. Opera on Film: Sentiment and Wit, Feeling and Knowing, Shawshank Redemption and Prizzi's Honor , Mary Hunter
• 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism, David J. Levin
• 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro , Marcia J. Citron
• 9. Verdi in Post-war Italian Cinema, Deborah Crisp and Roger Hillman
• 10. Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell My Concubine , Teri Silvio
• 11. Sounding out the Operatic in Jacques Rivette's Noroit , Mary M. Wiles Afterword, Stanley Cavell Contributor's Notes Index