Voice Studies: Critical Approaches to Process, Performance and Experience

Contents

• Foreword - Paul Barker
• Part 1 : Introducing Voice Studies
• Introduction voice(s) as a method and an in-between - Ben Macpherson and Konstantinos Thomaidis
• 1. The Re-vocalization of Logos? Thinking, doing and disseminating voice - Konstantinos Thomaidis
• Part 2 : Voice in Training and Process
• 2. The Singularity of Experience in the Voice Studio: a dialogue with Michel Henry - Paivi Jarvioe
• 3. Learning to Let Go: control and freedom in the passaggio - Tim Kjeldsen
• 4. Training Actors' Voices: towards an intercultural/interdisciplinary approach - Tara McAllister-Viel
• 5. A Sea of Honey: the speaking voice in the Javanese shadow puppet theatreJ - an Mrazek
• Part 3 : Voice in Performance
• 6. Nonsense: towards a vocal conceptual compass for art - Mikhail Karikis
• 7. Performing the Entre-Deux: the capture of speech in (dis)embodied voices - Piersandra Di Matteo
• 8. Sensing Voice: materiality and the lived body in singing and listening philosophy - Nina Sun Eidsheim
• 9. Lamenting (with the) "Others," "Lamenting our Failure to Lament"? An auto-ethnographic account of the vocal expression of loss - Marios Chatziprokopiou
• 10. Enchanted Voices: voice in Australian sound art - Norie Neumark
• Part 4 : Voice in Experience and Documentation
• 11. "Body Musicality": the visual, virtual, visceral voice - Ben Macpherson
• 12. Transcribing Vocality: voice at the border of music after modernism - Pamela Karantonis
• 13. Strange Objects/Strange Properties: female audibility and the acoustic stage prop - Ella Finer
• 14. The Eavesdropper: listening-in and overhearing the voice in performance - Johanna Linsley
• Part 5 : A Polyphonic
• Conclusion
• 15. What is Voice Studies? - Ben Macpherson, George Burrows, Diana Van Lancker Sidtis, Yvon Bonenfant, Lyn Darnley, Amanda Smallbone, Nina Sun Eidsheim, 'Femi Adedeji, Jaroslaw Fret, Konstantinos Thomaidis