Musical Concerns: Essays in Philosophy of Music

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Acknowledgments
Introduction
1 Philosophy and Music
2 The Aesthetic Appreciation of Music
3 Concatenationism, Architectonicism, and the Appreciation of Music
4 Indication, Abstraction, and Individuation
5 Musical Beauty
6 Values of Music
7 Shame in General and Shame in Music
8 Jazz Vocal Interpretation: A Philosophical Analysis
9 Popular Song as Moral Microcosm: Life Lessons from Jazz Standards
10 The Expressive Specificity of Jazz
11 Instrumentation and Improvisation
12 with Philip Alperson: What Is a Temporal Art?
Index

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This volume presents a new collection of essays, all of them dealing with music, by Jerrold Levinson, one of the most prominent philosophers of art today. It follows in the line of Levinson's earlier collections, Music, Art, and Metaphysics (1990), The Pleasures of Aesthetics (1996), and Contemplating Art (2006), and is representative of the most stimulating work being done under the rubric of analytic aesthetics. The essays, which are wide-ranging, should appeal to aestheticians, philosophers, musicologists, music theorists, music critics and music lovers of all kinds. Three of the twelve essays comprising the volume have not previously been published, and in somewhat of a departure for Levinson, four of the essays focus on music in the jazz tradition.

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This volume is a handsome collection of Jerrold Levinson's latest concerns about philosophy and music

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