Greeted With Smiles: Bukharian Jewish Music and Musicians in New York

Contents

• Table of Contents
• List of Figures and Transcribed Music Examples
• List of Audio Music Examples
• Note on Transliteration and Translation
• Selected Biographical Sketches
• Introduction
• 1. Performing Bukharian Jewish History: Ilyos Mallayev's Play Levicha Hofiz
• Remembering Old Bukhara
• Vestiges of Soviet Central Asia in Levicha Hofiz
• Levicha Hofiz and New York
• 2. Adapting Bukharian Jewish Musical Life to Multicultural New York
• From Melting Pot to Mosaic Ideologies among Jewish Americans
• Jewish Multiculturalism and Bukharian Jews
• Ethnic Music in Multicultural New York
• 3. Maqom: Bukharian Jewish Classical Music
• Defining the Maqom Repertoire
• Canonical Shashmaqom Editions and National Questions
• Maqom on the World Music Stage
• Maqom and Intercultural Encounters between Jews and Muslims
• Maqom and Intracultural Jewish Encounters
• The State of Maqom Transmission in New York
• Updating the Classical Repertoire
• 4. Religious Repertoire: Like Mushrooms After the Rain
• Defining the Religious Repertoire
• Toward Jewish Centers
• Toward Bukharian Jewish Distinctiveness
• Bukharian Diasporic Consciousness: Combining Senses of Belonging and Otherness
• Religious Repertoire as Bukharian Ethnic Music
• 5. Party Music: Expressing Cosmopolitanism
• Defining the Party Repertoire
• Cosmopolitanism and Bukharian Jewish Identity
• A Generational Crossroads
• 6. Ziyorat
• Glossary
• Notes
• Bibliography
• Discography