Book
$183.25Special import
Contents
- Contents
- ABOUT THE COMPANION WEBSITE
- FOREWORD
- PREFACE
- INTRODUCTION
- The problem of music endangerment
- Bringing languages into the picture
- Why music endangerment matters
- Troublesome terminology
- Some ethical considerations
- 1. WHAT WE KNOW AND WHAT WE'VE DONE
- 1.1 Theoretical foundations
- 1.2 Documentation and preservation
- 1.3 Recognition and celebration
- 1.4 Transmission and dissemination
- 1.5 Policy and enterprise
- 1.6 Coordinating and evaluation mechanisms
- 1.7 Conclusions
- 2. LANGUAGE AND MUSIC VITALITY: A COMPARATIVE FRAMEWORK
- 2.1 Systems of learning music
- 2.2 Musicians and communities
- 2.3 Contexts and constructs
- 2.4 Infrastructure and regulations
- 2.5 Media and the music industry
- 2.6 Conclusions
- 3. LEARNING FROM LANGUAGE MAINTENANCE
- 3.1 Dead or alive? Identifying and assessing music endangerment
- 3.2 Developing advocacy for music sustainability
- 3.3 Developing maintenance and revitalization strategies
- 3.4 Reflecting on aims and outcomes of strategies
- 3.5 Developing coordinating mechanisms
- 3.6 Conclusions
- 4. HOW TO IDENTIFY AND ASSESS ENDANGERMENT
- 4.1 Modifying the language framework
- 4.2 Building a new framework for music
- 4.3 Conclusions
- 5. MEASURING UP: PUTTING THE FRAMEWORK TO WORK
- 5.1 A short history of ca tru
- 5.2 Carrying out the vitality assessment
- 5.3 A vitality assessment of ca tru
- 5.4 Conclusions
- 6. WHERE TO FROM HERE?
- 6.1 Taking stock: A brief summary
- 6.2 Next steps in practical terms
- 6.3 Next steps in research terms
- 6.4 Closing words
- BIBLIOGRAPHY
- INDEX